滁州瑯琊山英文導(dǎo)游詞（精選10篇）

滁州瑯琊山英文導(dǎo)游詞 篇1

　　Dear visitors,

　　Hello, welcome to langya mountain tour, I am your guide .

　　During The Three Kingdoms period, chuzhou became the battlefield of wei wu. Chaos "of western jin dynasty" eight king, reed {langya} Wang Sima farce in chuzhou mo tuo southwest ridge, hence the name reed {langya} mountain is located in southwest of chuzhou city of anhui province reed {langya} foothills, joyous pavilion, changsha love late pavilion, with Beijing hangzhou lake and said "China's four big famous pavilion". It is one of the most famous historical sites in anhui province, and this pavilion is written by ouyang xiu, a great prose writer of the song dynasty. The pavilion is small and unique, with features of jiangnan pavilion. It was close to the steep mountain wall, and the cornices flew out. For hundreds of years, though they have been robbed repeatedly, they have been repeatedly rebuilt, and they have never been forgotten. After the liberation, the people's government listed the drunkard pavilion as a provincial key cultural relic protection unit, and renovated many times.

　　During the reign of song ren, the government was corrupt and powerful. Ouyang xiu, who was in charge of the movement, advocated the reform of politics, and did not avoid slander, and dared to expose officials' private affairs, so he offended the minister of the left. He made a false accusation against the emperor. Will listen to the letter of the letter, ouyang xiu chuzhou.

　　A year (1045 AD), ouyang xiu came to chuzhou, and met the monk zhixian monk of langya temple, and soon became a bosom friend. In order to facilitate the visit of ouyang xiu, he built a small pavilion at the foot of the mountain, which is known as "the drunkard pavilion". From then on, ouyang xiu often went to the pavilion with friends to drink wine, "taiji to drink in this, drink less often drunk, and the year is the highest, to help the number of drunken weng." It gets its name. Ouyang xiu not only drinks here, but also runs the business. There is a psalm of praise: "for a man who is merry and merry, he is in a pavilion." After the completion of the pavilion, many visitors were attracted. At that time, the doctor who was too often did so, and then came to see him, and then he composed the music of "the drunken man" (" the eunuch "), and ouyang was the match. Now, a pair of couplet in front of feng gong temple, "the sound of the spring sounds like the taiji, and the sea day has been shining on langya mountain", that is to say. After several years of years, ouyang xiu and shen as reunion, "half up wine", shen did play guqin playing "drunk weng songs", "GongSheng in idea", "with the wind light RiNuan bird, cheng SAN night ring spring waters song". The sound of the music reminds the European public of the time in the pavilion is the reminiscence of the past, that is to give a poem. There was only one pavilion at the beginning of the drunkard pavilion, and in the last year of the northern song dynasty, the tang dynasty was built beside it. In the Ming dynasty, it began to flourish. It is said that when the house was built to "hundreds of columns", it has been destroyed many times. During the qing dynasty, more than one garden was reduced to rubble. It was not until the seventh year of emperor guangxu (1881) that the observation of the whole pepper was restored to the former.

　　The architecture of the area is compact and unique, and the pavilion is small and unique. It has the characteristics of jiangnan garden. The total area is less than 1000 square meters, but there are nine different buildings and attractions. It is also known as the "jiujing scenery", which is called "drunken weng". There is a spring in front of the drunkard, the stream is beside the spring, and the water is gurgling all the year round, and the wind is clear. In the pavilion, there is the inscription on the inscription of the song dynasty writer and calligrapher su shi's calligraphy, which is called "the word of ou wensu". At the top of the pavilion, there was a high platform, called "the palace of the emperor xuan", which appeared on the stage, but saw the mountains in front of the pavilion and the horizontal leaves of the trees. After the pavilion, Lin tao's ups and downs, flying through the ears, like in a painting.

　　Zuiweng pavilion for famous because of ouyang xiu and the zuiweng pavilion ", for hundreds of years while repeatedly by moving, but will not be forgotten, once someone wrote a antithetical couplets: "weng to eight hundred years, simple in; In the six or seven hills, the pavilion is not lonely." After the liberation, the people's government listed the drunkard pavilion as a provincial key cultural relic protection unit, and renovated many times. Today, the site is more spectacular than ever.

　　Chuzhou is located in the north of Yangtze river, the Yangtze river delta, the western margin of the "nanjing metropolitan circle" core city, city north wing "wan jiang demonstration zone", since ancient times, jianghuai guarantee "jinling". Chuzhou has a history of more than 1500 years, called besmear, desire, the state built the sui dynasty, wenchang northern song dynasty, both with the jiangsu of rhyme, assemble the wind of the jianghuai lake, one thousand years, for the beauty of taojiang river huai left the state. Chuzhou has been under the jurisdiction of langya, south qiao, lai 'an, quanjiao, nanjing pukou and so on. In 1992, it merged with chuxian district to form the present chuzhou city. Chuzhou is late winter region key city, the ancient capital of nanjing jiangbei portal, national household appliances and equipment manufacturing industry base, national city etc, the characteristics of China's top ten leisure city, the national advanced city, the famous historical and cultural city in anhui province scientific and technological progress.

　　Reed {langya} mountain is the first places of late winter, as the national key scenic area, national forest park, the national AAAA level tourist area, national key cultural relics protection units, one of the 24 big culture famous mountains in China, one of the one hundred most famous mountains, one of the five major scenic spots in anhui province. In the scenic area, the hills, temples, pavilions, pavilions, ancient roads and ancient passes are all on their own. They are elegant and unique. The mountains are mountainous and mountainous, and the valleys are deep, the valleys are deep and the forests are dense. Its high jams, jia can be hidden, qing zhuo, you can rest, aromatic recoverable, li xu natural landscape, gradually formed the Chinese and foreign tourists yearning reed {langya} mountain "eight" (famous mountains, acquainting, pavilion, name spring hole, name, name, name, Lin) cultural scenic spot.

　　Langya mountain is a beautiful scenery with a long history. Li Youqing as early as the tang and song dynasties, wei yingwu himself, ouyang xiu, xin qiji, wang anshi, mei yao-ch 'en, song lian, levy Ming, 曾鞏, Xue Shiyu countless writers and painters through the ages, dignitaries for the development of mountains and rivers, adding to build pavilions, fude, leaving a large number of, excellent cultural heritage, has a "famous mountains, acquainting, a pavilion, name spring, famous, including" six scenic spot. The dismissal of reed {langya} famous buddhist temple in late winter, also is one of national key temples, Song Jian zuiweng pavilion by northern song dynasty literary giant ouyang xiu's "the zuiweng pavilion" and famous, known as the first pavilion "day". Langya mountain has such a story.

　　A monk who traveled around the world to chuzhou and saw the picturesque scenery of xishan, built a temple on the mountain called "xishan temple". He also took in a small monk called detachment, and the young monk was very strange, but he was not enlightened. The monk taught him to forget for a few months. As a result, even the "amitabha" can only remember two words, and one of them was pronounced. It became "mortuo". The old monk was so angry that he went down the mountain alone. Half a year later, the old monk heard that chuzhou locust infestation, the heart is worried, worried about detachment to go back to the temple, the result see the small super long tall, strong! No plague of locusts! Later, it was known that the original small and great had been cooking stones to eat, boiled stones yellow like apricots, soft like taro, sweet peach.

　　The next day, the old monk said, "transcendence, you have read the book of mortua, it is true, you have become a Buddha. From now on, we all read the 'mortuo', which is also called the 'temple of moro'.

　　From then on, the incense fire in the motuo temple was flourishing for one day, and people changed the western mountain to "mount mortuo". Time passes like water. In a blink of an eye, the end of the western jin dynasty. At that time shandong had a langya king, the name is sima rui. He was robbed of his life by the eight Kings. I had to pack up and run south. Along the way, during the day, hiding in the temple, at night picking up the path one foot high and low. On this day, I came to live in a broken grass shed under the mountain of mortuo. I did not think that because of the days of toil, langya wang, the heart of the heart, the pain of the middle of the night, the pain on his head, the cold sweat, his face as yellow as paper, rolled over in the shed until dawn. As it happens, a water monk at the motuo temple saw it and hurried back up the hill. Soon, a bowl of fragrant tea was brought from the mountain, so that langya king could drink it.

　　After a while, langya wang stretched out his waist and felt the pain in his heart. He was also strong and had no illness at all.

　　Langya wang said to the monk, "thank you for saving your life. My heart disease is very small since childhood, the crime has not been ten and a half months, the herb has eaten not much, but the disease is getting heavier and heavier. What kind of magic medicine did the master use?"

　　"Go out and do good. Save one life, win the seven - level. The donor does not have to be generous. It is made of the stones of this mountain and all kinds of herbs, and all the diseases can go to the root. "Why, can the stones on the hill heal?"

　　Monk will cook stone temple patriarch master mo tuo even the story from the beginning to the end of the spoke 1 time, say again: "stone not to cook food now, because when the master put boiling water spilt on the piedmont of the stone mountain, the mountain is covered with plants. So the plants and the trees can heal. But I do not know the name of the host, the accent is not the local people, how to fall in the wilderness?"

　　Langya king dare to tell the truth, hu made up a set of say: "my surname liu, call liu shun. I live in jui county, shandong province. Because want to go to jiangnan to visit friends and relatives, half way up short of winding money, have to suffer hunger and cold all the way. I want to find some work to do here, so that I can get enough money to go to jiangnan.

　　The monk said to langya wang, "don't worry. As long as you do not hesitate to come to chuzhou, you will not worry about food and clothing. There is a saying in this place: 'chuzhou is the land of the poor, with two ropes.' You see that there is wood on the mountain, grass, herbs, rabbits, mountains and mountains. It is a mountain."

　　Langya king sima rui looked up on the mountain, and sure enough, there were men and women who were cutting wood and cutting out medicine for the jujube, and from the green trees came the sound of mountains singing. From then on, the king of langya lived in the mountains, and he gathered his brothers in the mountain. Before long, sima rui led the army to the Yangtze river, established the eastern jin dynasty in jianye city, and sima rui became the first eastern jin emperor. One day, sima rui, an emperor of the eastern jin dynasty, led the civil and military officials from the construction industry to chuzhou to see the scenery of the xishan motuo temple. Shay smart recalled his victim here be saved, the station troops gather food, and he ordered the imperial edict: will extend the mountain temple, change "mo tuo temple" as the "reed {langya} temple", to "mo tuo mountain" to "reed {langya} mountain". He also ordered the doctor to live in langya mountain to collect the grass, and to make "langya plant", widely spread the world, to save the people's sufferings.

　　各位游客：

　　你們好，歡迎你們來(lái)到瑯琊山旅游，我是你們的導(dǎo)游。

　　三國(guó)鼎立時(shí)期，滁州成為魏吳交兵的戰(zhàn)場(chǎng)。西晉“八王之亂”時(shí)，瑯琊王司馬睿曾在滁州西南摩陀嶺避難，瑯琊山因此而得名坐落在安徽省滁州市西南瑯琊山麓，與北京陶然亭、長(zhǎng)沙愛(ài)晚亭、杭州湖心亭并稱“中國(guó)四大名亭”。是安徽省著名古跡之一，宋代大散文家歐陽(yáng)修寫的傳世之作《醉翁亭記》寫的就是此亭。醉翁亭小巧獨(dú)特，具有江南亭臺(tái)特色。它緊靠峻峭的山壁，飛檐凌空挑出。數(shù)百年來(lái)雖屢次遭劫，又屢次復(fù)建，終不為人所忘。解放后，人民政府將醉翁亭列為省級(jí)重點(diǎn)文物保護(hù)單位，并多次整修。

　　宋仁守慶歷年間，朝政落敗，權(quán)貴當(dāng)?shù)�。原在朝遷中做官的歐陽(yáng)修主張革新時(shí)政，且不避謗，敢于揭露官吏陰私，因而得罪了左丞相夏竦等人。夏竦便在皇帝面前誣告他。會(huì)守聽(tīng)信饞言，將歐陽(yáng)修貶謫滁州。

　　慶歷一年(公元1045年)，歐陽(yáng)修來(lái)到滁州，認(rèn)識(shí)了瑯琊寺住持僧智仙和尚，并很快結(jié)為知音。為了 便于歐陽(yáng)修游玩，智仙特在山麓建造了一座小亭，歐 陽(yáng)修親為作記，這就是有名的《醉翁亭記》。從此， 歐陽(yáng)修常同朋友到亭中游樂(lè)飲酒，"太守于客來(lái)飲于 此，飲少輒醉，而年又最高，幫自號(hào)曰醉翁也。"醉 翁亭"因此得名。歐陽(yáng)修不僅在此飲酒，也常在此辦 公。有詩(shī)贊曰："為政風(fēng)流樂(lè)歲豐，每將公事了亭中"。 醉翁亭落成后，吸引了不少游人。當(dāng)時(shí)的太常博士沈遵便慕名而來(lái)，觀賞之余，創(chuàng)作了琴曲《醉翁吟》(一曰《太守操》)，歐陽(yáng)修親為配詞�，F(xiàn)在馮公祠前面的一副對(duì)聯(lián)"泉聲如聽(tīng)太守操，海日已照瑯琊山"，便是說(shuō)的這件事。事隔數(shù)年之年，歐陽(yáng)修和沈遵重逢，"夜闌酒半"，沈遵操琴?gòu)棥蹲砦桃鳌罚?quot;宮聲在迭"，"有如風(fēng)輕日暖好鳥(niǎo)語(yǔ)，夜靜山響春泉鳴"。琴聲勾起了歐公對(duì)當(dāng)年在亭是游飲往事的追憶，即作詩(shī)以贈(zèng)。 醉翁亭初建時(shí)只有一座亭子，北宋末年，知州唐屬在其旁建同醉。到了明代，開(kāi)始興盛起來(lái)。相傳當(dāng) 時(shí)房屋已建到"數(shù)百柱"，可惜后來(lái)多次遭到破壞。清代咸豐年間，不止個(gè)庭園成為一片瓦礫。直到光緒七 年(公元1881年)，全椒觀察使薛時(shí)雨主持重修，才使醉翁亭恢復(fù)了原樣。

　　醉翁亭一帶的建筑，布局緊湊別致，亭臺(tái)小巧獨(dú)特，具有江南園林特色。總面積雖不到1000平方米，卻有九處互不雷同的建筑、景致。醉翁亭、宋宋齋、馮公祠、古梅亭、影香亭、意在亭、怡亭、覽余臺(tái)，風(fēng)格各異，人稱"醉翁九景"。醉翁亭前有讓泉，泉旁是小溪，終年水聲潺潺，清澈風(fēng)底。亭中有宋代文學(xué)家、書法家蘇軾手書的《醉翁亭記》碑刻，稱為"歐文蘇字"。亭后最高處有一高臺(tái)，曰"玄帝宮"，登臺(tái)環(huán)視，但見(jiàn)亭前群山涌翠，橫葉眼底;亭后林濤起伏，飛傳耳際，猶如置身畫中。

　　醉翁亭因歐陽(yáng)修及其《醉翁亭記》而聞名遐邇，數(shù)百年來(lái)雖然多次遭動(dòng)，但終不為人所忘，曾有人撰寫了一副對(duì)聯(lián)："翁去八百載，醉鄉(xiāng)猶在;山行六七里，亭影不孤。"解放后，人民政府將醉翁亭列為省級(jí)重點(diǎn)文物保護(hù)單位，并多次整修。如今，此處千載勝境，更加壯觀誘人。

　　滁州市地處長(zhǎng)江下游北岸，長(zhǎng)江三角洲西緣，為“南京都市圈”核心層城市，“皖江示范區(qū)”北翼城市，自古有“金陵鎖鑰、江淮保障”之稱。滁州具有1500多年的歷史，古稱涂中、清流，州建隋朝，文昌北宋，兼具吳楚淮揚(yáng)之韻，匯聚江淮湖之風(fēng)，千百年來(lái)素為江畔淮左的美好之州。滁州自隋起轄今瑯琊、南譙、來(lái)安、全椒、南京浦口等地。1992年與滁縣地區(qū)合并，形成了現(xiàn)在的滁州市。滁州是皖東的區(qū)域中心城市，古都南京的江北門戶，全國(guó)家電及裝備制造業(yè)基地、全國(guó)雙擁模范城、中國(guó)十大特色休閑城市、全國(guó)科技進(jìn)步先進(jìn)市、安徽省歷史文化名城。

　　瑯琊山是皖東第一名勝，為國(guó)家重點(diǎn)風(fēng)景名勝區(qū)、國(guó)家森林公園、國(guó)家AAAA級(jí)旅游區(qū)、國(guó)家重點(diǎn)文物保護(hù)單位，中國(guó)24大文化名山之一，中華百座名山之一，安徽省五大風(fēng)景區(qū)之一。風(fēng)景區(qū)內(nèi)丘壑林泉、寺宇、亭臺(tái)、古道、古關(guān)隘均以其蔚然深秀，清幽淡雅而得天獨(dú)厚。境內(nèi)大小山峰九九八十一座，層巒起伏，溝谷深邃，溪流潺湲，森林茂密。其高可眺、邃可隱、清可濯、幽可憩、芳可采、麗可詠的自然景觀，逐漸形成了中外游人向往的瑯琊山“八名”(名山、名寺、名亭、名泉、名文、名碑、名洞、名林)文化勝境。

　　瑯琊山景色淡雅俊秀，文化淵源久遠(yuǎn)。自唐宋以來(lái)李幼卿、韋應(yīng)物、歐陽(yáng)修、辛棄疾、王安石、梅堯臣、宋濂、文征明、曾鞏、薛時(shí)雨等歷代無(wú)數(shù)文豪墨客，達(dá)官顯貴為之開(kāi)發(fā)山川、建寺造亭、賦詩(shī)題詠，留下大量、卓越的文化遺產(chǎn)，擁有“名山、名寺、名亭、名泉、名文、名士”六名勝境。其中唐建瑯琊寺為皖東著名佛寺，也是全國(guó)重點(diǎn)寺觀之一，宋建醉翁亭因北宋大文豪歐陽(yáng)修所著《醉翁亭記》一文而聞名遐邇，被譽(yù)為“天下第一亭”�，樼鹕降挠蓙�(lái)有這樣一個(gè)故事。

　　一個(gè)四外云游的和尚到了滁州，見(jiàn)到西山風(fēng)景如畫，就在山上蓋了座叫“西山寺”的寺院。還收留了一個(gè)叫超然的小和尚，小和尚長(zhǎng)的古靈精怪的，但是卻很不開(kāi)竅。和尚教超然忘好了幾個(gè)月的經(jīng)，結(jié)果，連“阿彌陀佛”四個(gè)字都只記得兩個(gè)，而且其中還有一個(gè)字念走音了。念成了“摩陀”。老和尚一氣之下，就一個(gè)人下山云游四方去了。大半年后，老和尚聽(tīng)說(shuō)滁州蝗蟲成災(zāi)，心里犯愁了，擔(dān)心超然就回到了寺院，結(jié)果看到小超然長(zhǎng)的高大了，壯實(shí)了!一點(diǎn)也沒(méi)有受到蝗災(zāi)的影響!后來(lái)才知道原來(lái)小超然一直在煮石頭吃，煮出來(lái)的石頭黃得象杏子，軟得象芋子，甜得賽桃子。

　　第二天，老和尚說(shuō)：“超然呀，你念的‘摩陀經(jīng)’，是真經(jīng)，你成了佛啦。從今在后，我們都念‘摩陀經(jīng)’，這寺院也叫‘摩陀寺’吧�！�

　　從此后，摩陀寺的香火一天旺似一天，人們也就把西山改叫“摩陀山”了。光陰似水，日月如梭。一眨眼，到了西晉末年。那時(shí)山東有位瑯琊王，名字叫司馬睿。他被八王奪權(quán)鬧得性命難保。只好收拾打扮往南逃難。一路上，白天藏身荒廟，夜晚揀著小道一腳高一腳低地趕路。這一天，來(lái)到摩陀山下一個(gè)破草棚子里住下。沒(méi)想到因?yàn)檫B日的奔波勞累，瑯琊王心口疼病半夜里犯了，疼得他頭上身上冷汗直冒，臉色跟紙一樣黃，在棚子里翻身打滾直到天亮。碰巧，摩陀寺一個(gè)挑水和尚看見(jiàn)了，慌忙跑回山上。不一會(huì)就從山上端來(lái)了一碗香茶，讓瑯琊王喝下。

　　過(guò)了一時(shí)三刻，瑯琊王伸伸膀子挺挺腰，覺(jué)得心口也不疼了，身上也有勁了，一點(diǎn)病也沒(méi)有了。

　　瑯琊王對(duì)和尚說(shuō)：“多謝師傅救命之恩。我這心口疼病從小就有，犯起來(lái)沒(méi)有十天半月不見(jiàn)輕，藥草吃了不知多少，病卻越來(lái)越重。不知師傅用的是什么神藥有這樣的奇效?”

　　“出家人，行善為本。救人一命，勝造七級(jí)浮屠。施主不必多禮。適才的香茶乃是用本山石頭與各樣草藥煮成的，什么病都能去根�！薄霸趺�，山上的石頭也能治病?”

　　和尚將寺院祖師摩陀大師煮石充饑的故事從頭到尾講了一遍，又說(shuō)：“現(xiàn)如今石頭雖不能煮熟充饑了，因?yàn)楫?dāng)年摩陀大師把煮石之水潑在這山前山后，這山上就長(zhǎng)滿了奇花異草。所以這花花草草、樹(shù)根石頭都能治病呢。但不知施主尊姓大名，聽(tīng)口音不是本地人，怎么流落在荒郊野外?”

　　瑯琊王哪敢說(shuō)出實(shí)話呢，就胡編了一套說(shuō)：“我姓劉，叫劉順。家住山東巨野縣。因?yàn)橐�到江南投親訪友，半路上短了盤纏錢，只好一路忍饑受寒。我想在這里找些活干干，等湊足了錢再去江南�！�

　　和尚對(duì)瑯琊王說(shuō)：“放心，放心。施主只要不惜力氣，來(lái)到滁州你就不愁吃穿了。這地方有句話：‘滁州地養(yǎng)窮人，一條扁擔(dān)兩根繩’。你看這摩陀山上有柴，有草，有藥材，兔子、山雞滿山轉(zhuǎn)，是座寶山啊�！�

　　瑯琊王司馬睿往山上一看，果然有男男女女在砍柴剜藥打山棗，從綠樹(shù)中傳來(lái)一陣陣山歌聲。從此后，瑯琊王就裝成個(gè)打柴漢子住在山中，一邊集合四方兄弟，一邊在山中集糧屯兵，日夜操練。沒(méi)過(guò)多久，司馬睿帶領(lǐng)人馬浩浩蕩蕩打過(guò)長(zhǎng)江，在建業(yè)城建立了東晉王朝，司馬睿成了第一個(gè)東晉皇帝。 有一天，東晉皇帝司馬睿帶領(lǐng)文武百官?gòu)慕�業(yè)來(lái)到滁州觀賞西山摩陀寺風(fēng)光。司馬睿想起當(dāng)年自己在這兒落難得救、屯兵聚糧的往事，便吩咐傳下圣旨：將山上寺院擴(kuò)建百間，改“摩陀寺”為“瑯琊寺”，改“摩陀山”為“瑯琊山”。他還命御醫(yī)住在瑯琊山搜集山中百草，編成《瑯琊草木篇》，廣傳天下，救四方百姓疾苦。

滁州瑯琊山英文導(dǎo)游詞 篇2

　　Dear fellow tourists,

　　Everybody is good!

　　Welcome to langya mountain, the national key scenic spot. I'm here to pick up the tour guide, and of course you can call me Chen . First of all, I would like to welcome you to the entire staff of langya mountain view. Next, I will show you the beauty of langya. Nirvana in fire, do you know that langya mountain is famous for what? Well, yes, actually reed {langya} mountain because period of northern song dynasty writer write ouyang xiu's works "the zuiweng pavilion" is famous the world, in the opening in the zuiweng pavilion, praise reed {langya} mountain "Lin He beauty, especially at fostering and deep show of reed {langya}" reed {langya} mountain in 20__ was named the national tourism administration approved the first 4 a grade scenic spots its main has dafeng mountain, small fengshan, huashan, phoenix mountain, the highest peak for huashan is 331 meters above sea level, the other is between 200-300 - m more area has more than 50 spring, spring is sweet and clear and reed {langya} creek, deep lake show, phoenix lake streams lakes such as lakes and mountains set each other off brightness the tourists friends is a kind of visual enjoyment Now, the gate of langya mountain is coming into our eyes. Let's go in here. Now we came to the mountain of reed {langya} the first sights - reed {langya} ink garden, it is a kind of garden architecture, show in front of everybody HeiWa white walls, cornices, pavilions hin gallery, Bridges, rockeries and other cross newborn reflects the style of suzhou gardens, since tang and song dynasty, ouyang xiu, wang anshi, su shi, xin qiji, and many other letters were left here a lot of precious poems, in order to better show the reed {langya} calligraphy, so the scenic area and collection of the staff of the poem about reed {langya} mountain, celebrity calligraphy and painting, in the more than 200 of carving, so called "reed {langya} ink garden" here you see the calligraphy calligraphy and painting, such as flowing majestic embodies the author's deep love of reed {langya} mountain Now all of us down the mountain and arrived at the mountain of reed {langya} and one of the most famous scenic spot - zuiweng pavilion, actually zuiweng pavilion was built in the northern song dynasty qingli periods for four years at the time it is just a common for visitors to stay small pavilion, but because of ouyang xiu wrote down through the ages in this masterpiece, the zuiweng pavilion, henceforth becomes famous, now zuiweng pavilion covers an area of about five thousand square meters, is listed as the provincial key cultural relics protection units in 1956, we look at the gates on the three words "zuiweng pavilion" is the qing stagnation and quanjiao people write, we through to the patio and came east TingBian zuiweng pavilion, this is a kind of jehiel mountain type architectural style, cornices ten six newborn column separation.

　　People look around to set up the wooden column, this is the place where ouyang xiu and the guests drink the poem, the tourist friends can stand here to experience the mood of the great writers of the time! Now we came to the "two" virtuous hall name is incredible honor of sage, two virtuous hall was built in the northern song dynasty is the local people in honor of the two chuzhou magistrate Wang Yu ouyang xiu and building, and now we can see the song Ming copy here's photocopy and ouyang xiu zuiweng pavilion, handwriting photocopies, now we go to the west came to the "treasure Song Zhai", here we can see ouyang xiu's disciple personally written by su shi's the zuiweng pavilion, stone carving, because ouyang xiu prose and sushi's calligraphy represents the highest level of the northern song period so, people call this monument "two unique monument". Now go forward again, you see the spring, which is famous for a long time of spring, let now spring is built with stones around people, see above - have kangxi 23 years in chuzhou magistrate gave Mr Chief heavy topic "spring" of stone inscription, people thirty feet deep one feet, springs into first people by the people bog flow north into the glass. The water temperature of the square pool has not been changed for a long time. There are many trace elements that are beneficial to the human body in the spring water of 17 to 18 degrees Celsius. Tourists, we came to the ouyang xiu memorial hall, into the inner hall, you see the statue of Mr. Ouyang xiu? There are more than 30 comprehensive introduction ouyang xiu's mural, inlaid carved on the promenade is since song dynasty su shi, Zhao Meng big calligrapher write like the zuiweng pavilion "is breathtaking Now we go about 400 meters along the ancient road of langya to langya temple, which is originally named baoying temple. It is said that before repairing the temple, presided over the chuzhou secretariat of qing li of the temple was drawing show cases in tang dynasty, happened to the tang dynasty of dreams during the night a piece of the depths of the forest there is a temple on the shape and size and figure paintings are similar, very happy, so, give name "baoying temple". "Baoying temple" has experienced many vicissitudes, and the majority of the buildings seen by tourists now are rebuilt in the qing dynasty in 30 years.

　　In 1984, it was officially named "langya temple". There are more than 80 scenic spots in langya temple which are now available for viewing, such as the grand hall, the Tibetan pavilion, the moon view, and the pavilion. The visitors' friends now come to our eyes is the great hall, which is the main building of langya temple, located in the center of the temple. The hall is 14 meters high, with a depth of 15.3 meters. The appearance is elegant, imposing and imposing. There are vivid images of sakyamuni and the 18 rohan statues in the temple, like the body of the body, with golden light and vivid appearance. Now we go to the right and then we come to the Tibetan classics building, which was originally called the "Tibet pavilion", which was reconstructed in 1919 and inscribed with four large characters inscribed on the forehead. It is said that the building once housed a treasure trove of bayes, the downstairs is a thousand jade Buddha hall, the hall displays the myanmar state gift of more than 1000 jade Buddha. Listen, I want to go in there but it's gone.

　　Fellow tourists friends, today's visit will be over, I'm glad you support my job very much, want to be your tour in this short time of eternal memory, hope I still have a chance to service for you, wish you in later life every day happy, good luck, bye!

　　親愛(ài)的游客朋友們：

　　大家好！

　　歡迎你們來(lái)到國(guó)家重點(diǎn)風(fēng)景區(qū)—瑯琊山。我是這里的地接導(dǎo)游某某，當(dāng)然大家也可以叫我陳。首先我代表瑯琊山景區(qū)的全體工作人員歡迎你們的到來(lái),接下來(lái)我將帶領(lǐng)大家欣賞瑯琊的美�，樼鸬男愦蠹抑�道瑯琊山因什么而出名嗎?嗯,是的，其實(shí)瑯琊山因?yàn)楸彼螘r(shí)期大文學(xué)家歐陽(yáng)修寫的著作《醉翁亭記》而聞名天下的,在《醉翁亭記》中開(kāi)篇就贊美瑯琊山“林壑尤美，望之蔚然而深秀者，瑯琊也”在20__年瑯琊山被評(píng)為國(guó)家旅游局批準(zhǔn)為首批4A級(jí)旅游景區(qū)其主峰有大豐山、小豐山、花山、鳳凰山等其最高峰為花山海拔為331米，其他多為200至300米之間景區(qū)內(nèi)有50多處泉眼，泉水清冽甘甜，還有瑯琊溪、深秀湖、鳳凰湖等溪流湖泊湖光山色相映生輝此次游客朋友們的到來(lái)真是一種視覺(jué)的享受現(xiàn)在映入我們眼簾的就是瑯琊山南大門了，我們就從這里進(jìn)去吧現(xiàn)在我們便來(lái)到了瑯琊山的第一個(gè)景點(diǎn)了—瑯琊墨苑，它是種庭園建筑，展現(xiàn)在大家眼前的白墻黑瓦、飛檐翹角、亭臺(tái)軒廊、小橋假山等交錯(cuò)體現(xiàn)的是蘇州園林的風(fēng)格，自唐宋以來(lái)先后有歐陽(yáng)修、王安石、蘇軾、辛棄疾等眾多文人墨客都在此留下了大量的珍貴詩(shī)文，為了更好地展示這些瑯琊墨寶，所以景區(qū)的工作人員收集與整理了有關(guān)瑯琊山的試詩(shī)、名人書畫200多篇篆刻于此，所以此地取名為“瑯琊墨苑”大家看這些書法字畫如行云流水氣勢(shì)磅礴體現(xiàn)了作者對(duì)瑯琊山的深情厚愛(ài) 現(xiàn)在我們大家沿這條山道向前走便來(lái)到了瑯琊山最著名的景點(diǎn)—醉翁亭，其實(shí)醉翁亭始建于北宋慶歷四年在當(dāng)時(shí)它只不過(guò)是一個(gè)普通給游人歇腳的小亭子，但因歐陽(yáng)修在此寫下了千古名篇《醉翁亭記》從此便名揚(yáng)天下，現(xiàn)在的醉翁亭占地約五千平方米，1956年被列為省級(jí)重點(diǎn)文物保護(hù)單位，大家看這個(gè)院門上“醉翁亭”三個(gè)字是清朝同治年間全椒人士書寫的，大家經(jīng)過(guò)天井向東走便來(lái)到亭邊就到了醉翁亭，這是種歇山式建筑風(fēng)格，飛檐翹角十六根立柱分立四方。

　　大家看周圍設(shè)置了木欄，這里便是當(dāng)年歐陽(yáng)修常與賓客飲酒賦詩(shī)的地方，游客朋友們可以站在這里來(lái)體會(huì)一下當(dāng)時(shí)大文學(xué)家的意境呢!現(xiàn)在我們便來(lái)到了“二賢堂”故名思議是紀(jì)念賢人而建的，二賢堂始建于北宋是當(dāng)?shù)氐陌傩諡榱思o(jì)念2位滁州知府王禹某和歐陽(yáng)修而修建地，現(xiàn)在我們?cè)谶@里能看見(jiàn)宋明刻本的《醉翁亭記》的影印本及歐陽(yáng)修手跡的影印件，現(xiàn)在我們向西走便來(lái)到了“寶宋齋”，在這里我們可以看見(jiàn)歐陽(yáng)修的得意弟子蘇軾親筆所寫的《醉翁亭記》所雕刻的石碑，由于歐陽(yáng)修散文和蘇軾書法都是北宋時(shí)期最高水平的代表所以啊，后人便稱此碑為“兩絕碑”�，F(xiàn)在再往前走，大家看到泉水了吧，這就是聞名以久的讓泉，現(xiàn)在的'讓泉周圍是用石塊砌成的方池，看-上方有康熙23年滁州知府王賜魁先生重題的“讓泉”碑刻，方池長(zhǎng)三尺左右深一尺左右，泉水先涌入方池在由方池流向北匯入玻璃沼。方池水溫常年變化不大一直保持在17至18攝氏度泉水中含有多種對(duì)人體有益的微量元素，甘甜清冽游客朋友們我們來(lái)到了歐陽(yáng)修紀(jì)念館，進(jìn)入內(nèi)堂，大家看到歐陽(yáng)修先生的塑像了嗎?這里還有30多幅全面介紹歐陽(yáng)修生平的壁畫，長(zhǎng)廊上鑲刻的都是宋代以來(lái)蘇軾、趙孟頫等大書法家寫的《醉翁亭記》都是令人嘆為觀止的手筆。現(xiàn)在我們沿瑯琊古道向前大約走400米就來(lái)到了瑯琊寺了，瑯琊寺原名寶應(yīng)寺。據(jù)說(shuō)，在修這座寺廟之前，主持修建這座此寺的滁州刺史李猶卿曾繪圖給唐代宗看，恰巧唐代宗頭天夜里夢(mèng)見(jiàn)一片山林深處有一座寺院其外形與規(guī)模與圖上所畫地甚為相似，十分高興，所以特賜名“寶應(yīng)寺”�！皩殤�(yīng)寺“歷經(jīng)滄桑幾經(jīng)興廢，現(xiàn)在游客朋友們看見(jiàn)的所有建筑大多數(shù)是清代30年重新修建地。

　　一九八四年正式以“瑯琊寺”命名的瑯琊寺景點(diǎn)有80多處現(xiàn)在可供觀賞的有大雄寶殿、藏經(jīng)閣、明月觀、念經(jīng)閣等游客朋友們現(xiàn)在映入我們眼簾的就是大雄寶殿了，它是瑯琊寺的主體建筑，位于寺廟中央。殿高14米，進(jìn)深15.3米外形古樸典雅，氣勢(shì)雄偉，殿內(nèi)有造型生動(dòng)釋迦牟尼和十八羅漢像，像身通體涂金，金光燦燦，神態(tài)畢現(xiàn)栩栩如生。現(xiàn)在我們向右走便來(lái)到了藏經(jīng)樓，它原名叫“藏經(jīng)閣”現(xiàn)今看見(jiàn)的藏經(jīng)樓是一九一九年重建的，門額上刻有“三藏玄樞”四個(gè)大字。據(jù)說(shuō)此樓曾藏有珍貴的貝葉經(jīng)一部，樓下為千尊玉佛堂，堂內(nèi)陳列著緬甸國(guó)贈(zèng)送的一千多尊玉佛。聽(tīng)著真想進(jìn)去看看不過(guò)現(xiàn)在已經(jīng)沒(méi)有了。

　　各位游客朋友們，今天的游覽將要結(jié)束了，我很高興大家非常支持配合我的工作，這短短的時(shí)光里希望成為你們游覽中永恒的記憶，希望下次還有機(jī)會(huì)為大家服務(wù)，祝愿大家在以后生活中天天開(kāi)心，順順利利，再見(jiàn)!

滁州瑯琊山英文導(dǎo)游詞 篇3

　　歐陽(yáng)修應(yīng)邀作《滄浪亭》長(zhǎng)詩(shī)，詩(shī)中以“清風(fēng)明月本無(wú)價(jià)，可惜只賣四萬(wàn)錢”題詠此事。自此，“滄浪亭”名聲大振。而在此刻的滄浪亭有一副對(duì)聯(lián)：“清風(fēng)明月本無(wú)價(jià)，近水遠(yuǎn)山皆有情”就是源自那里。愛(ài)晚亭清代學(xué)者畢沅取名于著名詩(shī)人杜牧《山行》“遠(yuǎn)上寒山石徑斜，白云生處有人家，停車坐愛(ài)楓林晚，霜葉紅于二月花”的詩(shī)句，因而得名。陶然亭取之于白居易的《與夢(mèng)得沽酒閑飲且約后期》中的“更詩(shī)菊黃家釀熱，與君一醉一陶然。”四大名亭除了這一種說(shuō)法以外，還有另外一種說(shuō)法，就是浙江杭州西湖的湖心亭代替蘇州的滄浪亭，但無(wú)論哪種說(shuō)法，醉翁亭都是四大名亭之首，有兩個(gè)原因，第一，建亭最古老，醉翁亭始建于公園1046年的北宋慶歷六年，滄浪亭基本上于醉翁亭同時(shí)建成，只是稍晚一些，而愛(ài)晚亭和陶然亭則是清代的建筑，晚了四五百年，另一個(gè)原因就是《醉翁亭記》在文學(xué)造詣上比其他幾個(gè)亭子更具有價(jià)值，這座醉翁亭是歇山頂式建筑，歇山頂共有九條屋脊，即一條正脊、四條垂脊和四條戧脊，因此又稱九脊頂。由于其正脊兩端到屋檐處中間折斷了一次，分為垂脊和戧脊，仿佛“歇”了一歇，故名歇山頂。飛檐翹角體現(xiàn)了中國(guó)古建筑的特色，是宋代建筑的代表，不僅僅在外觀上增加了立體感，給人一種展翅欲飛的感覺(jué)，同時(shí)又有實(shí)用價(jià)值，飛挑的屋檐起御力的作用，既能緩解雨水沖刷在屋頂?shù)牧Χ�，用能保護(hù)地基不受雨水的澆淋。

滁州瑯琊山英文導(dǎo)游詞 篇4

　　三國(guó)鼎立時(shí)期，滁州成為魏吳交兵的戰(zhàn)場(chǎng)。西晉“八王之亂”時(shí)，瑯琊王司馬睿曾在滁州西南摩陀嶺避難，瑯琊山因此而得名坐落在安徽省滁州市西南瑯琊山麓，與北京陶然亭、長(zhǎng)沙愛(ài)晚亭、杭州湖心亭并稱“中國(guó)四大名亭”。是安徽省著名古跡之一，宋代大散文家歐陽(yáng)修寫的傳世之作《醉翁亭記》寫的就是此亭。醉翁亭小巧獨(dú)特，具有江南亭臺(tái)特色。它緊靠峻峭的山壁，飛檐凌空挑出。數(shù)百年來(lái)雖屢次遭劫，又屢次復(fù)建，終不為人所忘。解放后，人民政府將醉翁亭列為省級(jí)重點(diǎn)文物保護(hù)單位，并多次整修。

　　宋仁守慶歷年間，權(quán)貴當(dāng)?shù)�。原在朝遷中做官的歐陽(yáng)修主張革新時(shí)政，且不避謗，敢于揭露官吏陰私，因而得罪了左丞相夏竦等人。夏竦便在皇帝面前誣告他。會(huì)守聽(tīng)信饞言，將歐陽(yáng)修貶謫滁州。

　　慶歷一年（公元1045年），歐陽(yáng)修來(lái)到滁州，認(rèn)識(shí)了瑯琊寺住持僧智仙和尚，并很快結(jié)為知音。為了便于歐陽(yáng)修游玩，智仙特在山麓建造了一座小亭，歐陽(yáng)修親為作記，這就是有名的《醉翁亭記》。從此，歐陽(yáng)修常同朋友到亭中游樂(lè)飲酒，"太守于客來(lái)飲于此，飲少輒醉，而年又最高，幫自號(hào)曰醉翁也。"醉翁亭"因此得名。歐陽(yáng)修不僅在此飲酒，也常在此辦公。有詩(shī)贊曰："為政風(fēng)流樂(lè)歲豐，每將公事了亭中"。醉翁亭落成后，吸引了不少游人。當(dāng)時(shí)的太常博士沈遵便慕名而來(lái)，觀賞之余，創(chuàng)作了琴曲《醉翁吟》（一曰《太守操》），歐陽(yáng)修親為配詞。現(xiàn)在馮公祠前面的一副對(duì)聯(lián)"泉聲如聽(tīng)太守操，海日已照瑯琊山"，便是說(shuō)的這件事。事隔數(shù)年之年，歐陽(yáng)修和沈遵重逢，"夜闌酒半"，沈遵操琴?gòu)棥蹲砦桃鳌罚?宮聲在迭"，"有如風(fēng)輕日暖好鳥(niǎo)語(yǔ)，夜靜山響春泉鳴"。琴聲勾起了歐公對(duì)當(dāng)年在亭是游飲往事的追憶，即作詩(shī)以贈(zèng)。醉翁亭初建時(shí)只有一座亭子，北宋末年，知州唐屬在其旁建同醉。到了明代，變得開(kāi)始興盛起來(lái)。相傳當(dāng)時(shí)房屋已建到"數(shù)百柱"，可惜后來(lái)多次遭到破壞。清代咸豐年間，不止個(gè)庭園成為一片瓦礫。直到光緒七年（公元1881年），全椒觀察使薛時(shí)雨主持重修，才使醉翁亭恢復(fù)了原樣。

　　醉翁亭一帶的建筑，布局緊湊別致，亭臺(tái)小巧獨(dú)特，具有江南園林特色。總面積雖不到1000平方米，卻有九處互不雷同的建筑、景致。醉翁亭、宋宋齋、馮公祠、古梅亭、影香亭、意在亭、怡亭、覽余臺(tái)，風(fēng)格各異，人稱"醉翁九景"。醉翁亭前有讓泉，泉旁是小溪，終年水聲潺潺，清澈風(fēng)底。亭中有宋代文學(xué)家、書法家蘇軾手書的《醉翁亭記》碑刻，稱為"歐文蘇字"。亭后最高處有一高臺(tái)，曰"玄帝宮"，登臺(tái)環(huán)視，但見(jiàn)亭前群山涌翠，橫葉眼底；亭后林濤起伏，飛傳耳際，猶如置身畫中。

　　醉翁亭因歐陽(yáng)修及其《醉翁亭記》而聞名遐邇，數(shù)百年來(lái)雖然多次遭動(dòng)，但終不為人所忘，曾有人撰寫了一副對(duì)聯(lián)："翁去八百載，醉鄉(xiāng)猶在；山行六七里，亭影不孤。"解放后，人民政府將醉翁亭列為省級(jí)重點(diǎn)文物保護(hù)單位，并多次整修。如今，此處千載勝境，更加壯觀誘人。

　　滁州市地處長(zhǎng)江下游北岸，長(zhǎng)江三角洲西緣，為“南京都市圈”核心層城市，“皖江示范區(qū)”北翼城市，自古有“金陵鎖鑰、江淮保障”之稱。滁州具有1500多年的歷史，古稱涂中、清流，州建隋朝，文昌北宋，兼具吳楚淮揚(yáng)之韻，匯聚江淮湖之風(fēng)，千百年來(lái)素為江畔淮左的美好之州。滁州自隋起轄今瑯琊、南譙、來(lái)安、全椒、南京浦口等地。1992年與滁縣地區(qū)合并，形成了現(xiàn)在的滁州市。滁州是皖東的區(qū)域中心城市，古都南京的江北門戶，全國(guó)家電及裝備制造業(yè)基地、全國(guó)雙擁模范城、中國(guó)十大特色休閑城市、全國(guó)科技進(jìn)步先進(jìn)市、安徽省歷史文化名城。

　　瑯琊山是皖東第一名勝，為國(guó)家重點(diǎn)風(fēng)景名勝區(qū)、國(guó)家森林公園、國(guó)家AAAA級(jí)旅游區(qū)、國(guó)家重點(diǎn)文物保護(hù)單位，中國(guó)24大文化名山之一，中華百座名山之一，安徽省五大風(fēng)景區(qū)之一。風(fēng)景區(qū)內(nèi)丘壑林泉、寺宇、亭臺(tái)、古道、古關(guān)隘均以其蔚然深秀，清幽淡雅而得天獨(dú)厚。境內(nèi)大小山峰九九八十一座，層巒起伏，溝谷深邃，溪流潺湲，森林茂密。其高可眺、邃可隱、清可濯、幽可憩、芳可采、麗可詠的自然景觀，逐漸形成了中外游人向往的瑯琊山“八名”（名山、名寺、名亭、名泉、名文、名碑、名洞、名林）文化勝境。

　　瑯琊山景色淡雅俊秀，文化淵源久遠(yuǎn)。自唐宋以來(lái)李幼卿、韋應(yīng)物、歐陽(yáng)修、辛棄疾、王安石、梅堯臣、宋濂、文征明、曾鞏、薛時(shí)雨等歷代無(wú)數(shù)文豪墨客，達(dá)官顯貴為之開(kāi)發(fā)山川、建寺造亭、賦詩(shī)題詠，留下大量、卓越的文化遺產(chǎn)，擁有“名山、名寺、名亭、名泉、名文、名士”六名勝境。其中唐建瑯琊寺為皖東著名佛寺，也是全國(guó)重點(diǎn)寺觀之一，宋建醉翁亭因北宋大文豪歐陽(yáng)修所著《醉翁亭記》一文而聞名遐邇，被譽(yù)為“天下第一亭”�，樼鹕降挠蓙�(lái)有這樣一個(gè)故事。

　　一個(gè)四外云游的和尚到了滁州，見(jiàn)到西山風(fēng)景如畫，就在山上蓋了座叫“西山寺”的寺院。還收留了一個(gè)叫超然的小和尚，小和尚長(zhǎng)的古靈精怪的，但是卻很不開(kāi)竅。和尚教超然忘好了幾個(gè)月的經(jīng)，結(jié)果，連“阿彌陀佛”四個(gè)字都只記得兩個(gè)，而且其中還有一個(gè)字念走音了。念成了“摩陀”。老和尚一氣之下，就一個(gè)人下山云游四方去了。大半年后，老和尚聽(tīng)說(shuō)滁州蝗蟲成災(zāi)，心里犯愁了，擔(dān)心超然就回到了寺院，結(jié)果看到小超然長(zhǎng)的高大了，壯實(shí)了！一點(diǎn)也沒(méi)有受到蝗災(zāi)的影響！后來(lái)才知道原來(lái)小超然一直在煮石頭吃，煮出來(lái)的石頭黃得象杏子，軟得象芋子，甜得賽桃子。

　　第二天，老和尚說(shuō)：“超然呀，你念的‘摩陀經(jīng)’，是真經(jīng)，你成了佛啦。從今在后，我們都念‘摩陀經(jīng)’，這寺院也叫‘摩陀寺’吧�！�

　　從此后，摩陀寺的香火一天旺似一天，人們也就把西山改叫“摩陀山”了。光陰似水，日月如梭。一眨眼，到了西晉末年。那時(shí)山東有位瑯琊王，名字叫司馬睿。他被八王奪權(quán)鬧得性命難保。只好收拾打扮往南逃難。一路上，白天藏身荒廟，夜晚揀著小道一腳高一腳低地趕路。這一天，來(lái)到摩陀山下一個(gè)破草棚子里住下。沒(méi)想到因?yàn)檫B日的奔波勞累，瑯琊王心口疼病半夜里犯了，疼得他頭上身上冷汗直冒，臉色跟紙一樣黃，在棚子里翻身打滾直到天亮。碰巧，摩陀寺一個(gè)挑水和尚看見(jiàn)了，慌忙跑回山上。不一會(huì)就從山上端來(lái)了一碗香茶，讓瑯琊王喝下。

　　過(guò)了一時(shí)三刻，瑯琊王伸伸膀子挺挺腰，覺(jué)得心口也不疼了，身上也有勁了，一點(diǎn)病也沒(méi)有了。

　　瑯琊王對(duì)和尚說(shuō)：“多謝師傅救命之恩。我這心口疼病從小就有，犯起來(lái)沒(méi)有十天半月不見(jiàn)輕，藥草吃了不知多少，病卻越來(lái)越重。不知師傅用的是什么神藥有這樣的奇效？”

　　“出家人，行善為本。救人一命，勝造七級(jí)浮屠。施主不必多禮。適才的香茶乃是用本山石頭與各樣草藥煮成的，什么病都能去根�！薄霸趺矗�山上的石頭也能治�。俊�

　　和尚將寺院祖師摩陀大師煮石充饑的故事從頭到尾講了一遍，又說(shuō)：“現(xiàn)如今石頭雖不能煮熟充饑了，因?yàn)楫?dāng)年摩陀大師把煮石之水潑在這山前山后，這山上就長(zhǎng)滿了奇花異草。所以這花花草草、樹(shù)根石頭都能治病呢。但不知施主尊姓大名，聽(tīng)口音不是本地人，怎么流落在荒郊野外？”

　　瑯琊王哪敢說(shuō)出實(shí)話呢，就胡編了一套說(shuō)：“我姓劉，叫劉順。家住山東巨野縣。因?yàn)橐�到江南投親訪友，半路上短了盤纏錢，只好一路忍饑受寒。我想在這里找些活干干，等湊足了錢再去江南。”

　　和尚對(duì)瑯琊王說(shuō)：“放心，放心。施主只要不惜力氣，來(lái)到滁州你就不愁吃穿了。這地方有句話：‘滁州地養(yǎng)窮人，一條扁擔(dān)兩根繩’。你看這摩陀山上有柴，有草，有藥材，兔子、山雞滿山轉(zhuǎn)，是座寶山啊�！�

　　瑯琊王司馬睿往山上一看，果然有男男女女在砍柴剜藥打山棗，從綠樹(shù)中傳來(lái)一陣陣山歌聲。從此后，瑯琊王就裝成個(gè)打柴漢子住在山中，一邊集合四方兄弟，一邊在山中集糧屯兵，日夜操練。沒(méi)過(guò)多久，司馬睿帶領(lǐng)人馬浩浩蕩蕩打過(guò)長(zhǎng)江，在建業(yè)城建立了東晉王朝，司馬睿成了第一個(gè)東晉皇帝。有一天，東晉皇帝司馬睿帶領(lǐng)文武百官?gòu)慕�業(yè)來(lái)到滁州觀賞西山摩陀寺風(fēng)光。司馬睿想起當(dāng)年自己在這兒落難得救、屯兵聚糧的往事，便吩咐傳下圣旨：將山上寺院擴(kuò)建百間，改“摩陀寺”為“瑯琊寺”，改“摩陀山”為“瑯琊山”。他還命御醫(yī)住在瑯琊山搜集山中百草，編成《瑯琊草木篇》，廣傳天下，救四方百姓疾苦。

滁州瑯琊山英文導(dǎo)游詞 篇5

　　好了，此刻大家在玻璃沼這邊看到的這幾棵樹(shù)就是咱們滁州特有的醉翁榆了，它僅分布于滁州瑯琊山。山生于海拔100m以下的山麓落葉闊葉林中或溪溝旁。國(guó)家三級(jí)保護(hù)瀕危種。因?yàn)樯�長(zhǎng)在醉翁亭身旁，所以把它命名為醉翁榆。它是3、4月份開(kāi)花，是醫(yī)藥和輕、化工業(yè)的重要原料，一般能夠用作制作農(nóng)具，家具，器具。此刻我們來(lái)到的是醉翁亭大門前，也被稱為歐門，中間有醉翁亭三個(gè)字，以前在門口還有副楹聯(lián)，“山行六七里，亭影不孤，翁去八百載，醉鄉(xiāng)猶在”寫這副對(duì)聯(lián)的作者是薛時(shí)雨，剛剛過(guò)“薛老橋”的時(shí)候也提到他，薛時(shí)雨是滁州全椒人，清代光緒年間醉翁亭的修復(fù)者，薛時(shí)雨自幼苦讀，才華出眾，尤為仰慕歐陽(yáng)修的道德文章。少年時(shí)，曾不顧路途遙遠(yuǎn)，經(jīng)常從鄉(xiāng)下獨(dú)自步行五十多里，來(lái)醉翁亭拓印歐文蘇字碑，薛時(shí)雨35歲進(jìn)士中舉，開(kāi)始在嘉興做知縣，之后又升為杭州知府，他做官時(shí)，處處以歐陽(yáng)修為榜眼，寬簡(jiǎn)愛(ài)民，剛直敢言，因?yàn)榻?jīng)常為民請(qǐng)命，違逆上司，官做不下去了，就去教書，大力興辦教育。先后在杭州崇文書院，江寧尊經(jīng)書院，南京惜陰書院任主講，55歲以后還鄉(xiāng)，晚年做了兩件大事，一是整理刊印了《儒林外史》，二是募集巨資修復(fù)了已經(jīng)成為一片廢墟的醉翁亭和豐樂(lè)亭。所以滁州人對(duì)薛時(shí)雨十分感激。

　　此刻我們就往里面走，此刻大家看到的白色粉墻有著徽派風(fēng)格，鏤空的的花墻，又能體現(xiàn)江南園林的特色，“有亭翼然”，大家站在我這個(gè)角度能夠看到，我們的亭子那個(gè)角度就像鳥(niǎo)兒展翅飛翔一樣，此刻我們繼續(xù)走，此刻我們來(lái)到的這座院落，是不是有種坐井觀天的感覺(jué)呢，那里叫天井，它在建筑學(xué)里起過(guò)渡建筑物的作用。大家看那里有塊碑刻是著名文學(xué)家沈思曉得作品《解酲閣記》，酲字給大家解釋一下，咱們中間的男士想必都有過(guò)醉酒的經(jīng)驗(yàn)，酒意有十分，當(dāng)你喝到七八分時(shí)，那種似醉非醉，飄飄欲仙的狀態(tài)就稱之為“酲”解酲也就是接觸這種迷醉的狀態(tài)，此刻我們來(lái)到的是醉翁亭了，這“醉翁亭”是全國(guó)四大名亭之首，天下第一亭，大家都明白其他三座名亭是什么嗎?北京陶然亭，蘇州滄浪亭，長(zhǎng)沙愛(ài)晚亭。

滁州瑯琊山英文導(dǎo)游詞 篇6

　　醉翁亭一帶的建筑，布局緊湊別致，亭臺(tái)小巧獨(dú)特，具有江南園林特色。總面積雖不到1000平方米，卻有九處互不雷同的建筑、景致。醉翁亭、宋宋齋、馮公祠、古梅亭、影香亭、意在亭、怡亭、覽余臺(tái)，風(fēng)格各異，人稱"醉翁九景"。醉翁亭前有讓泉，泉旁是小溪，終年水聲潺潺，清澈風(fēng)底。亭中有宋代文學(xué)家、書法家蘇軾手書的《醉翁亭記》碑刻，稱為"歐文蘇字"。亭后最高處有一高臺(tái)，曰"玄帝宮"，登臺(tái)環(huán)視，但見(jiàn)亭前群山涌翠，橫葉眼底;亭后林濤起伏，飛傳耳際，猶如置身畫中。

　　醉翁亭因歐陽(yáng)修及其《醉翁亭記》而聞名遐邇，數(shù)百年來(lái)雖然多次遭動(dòng)，但終不為人所忘，曾有人撰寫了一副對(duì)聯(lián)："翁去八百載，醉鄉(xiāng)猶在;山行六七里，亭影不孤。"解放后，人民政府將醉翁亭列為省級(jí)重點(diǎn)文物保護(hù)單位，并多次整修。如今，此處千載勝境，更加壯觀誘人。

　　滁州市地處長(zhǎng)江下游北岸，長(zhǎng)江三角洲西緣，為“南京都市圈”核心層城市，“皖江示范區(qū)”北翼城市，自古有“金陵鎖鑰、江淮保障”之稱。滁州具有1500多年的歷史，古稱涂中、清流，州建隋朝，文昌北宋，兼具吳楚淮揚(yáng)之韻，匯聚江淮湖之風(fēng)，千百年來(lái)素為江畔淮左的美好之州。滁州自隋起轄今瑯琊、南譙、來(lái)安、全椒、南京浦口等地。1992年與滁縣地區(qū)合并，形成了現(xiàn)在的滁州市。滁州是皖東的區(qū)域中心城市，古都南京的江北門戶，全國(guó)家電及裝備制造業(yè)基地、全國(guó)雙擁模范城、中國(guó)十大特色休閑城市、全國(guó)科技進(jìn)步先進(jìn)市、安徽省歷史文化名城。

滁州瑯琊山英文導(dǎo)游詞 篇7

　　瑯琊山位于安徽省滁州古城西南約5公里、現(xiàn)滁州市的西南郊�，樼鹕缴�林公園是全國(guó)首批獲得AAAA級(jí)旅游風(fēng)景名勝區(qū)。這個(gè)風(fēng)景如畫的地方吸引了我和姐姐，決定在7月15號(hào)，去爬瑯琊山！

　　早晨，我和姐姐來(lái)到瑯琊山門口，一進(jìn)去就看見(jiàn)路兩旁有許多高大蔥蘢的樹(shù)木，我們呼吸者山間清新的空氣，聽(tīng)著蟬的歌聲，開(kāi)始爬山的路程。路上我邊走邊問(wèn)姐姐：“姐姐，瑯琊山高嗎？”“還好吧，也不是很高。”我聽(tīng)了心里想：我連惠山都爬過(guò)就不信瑯琊山我爬不上去！一路山我們看到了美麗的荷花、清澈的湖水、各式各樣的涼亭……伴隨著說(shuō)聲，笑聲，我們來(lái)到了深秀湖。走過(guò)小橋，來(lái)到亭子內(nèi)，湖水十分清澈，用手一摸十分清涼。湖面很平靜，宛如一面大鏡子，當(dāng)一陣微風(fēng)吹來(lái)，在陽(yáng)光的'照射下，湖面波光粼粼。湖邊高大茂密的樹(shù)木圍繞著我們郁郁蔥蔥、青翠欲滴。湖面上和湖邊有許多亭子，紅的、黃的、棕的……真是讓人心曠神怡！走過(guò)了深秀湖，我們來(lái)到瑯琊寺。踏進(jìn)瑯琊寺，香煙繚繞，古老的高墻、宏偉的高塔，人們拿著香跪在佛像前許愿。我和姐姐也走上前去插了一炷香許了愿。來(lái)到大雄寶殿，里面可真壯觀啊！如來(lái)佛祖慈眉善目，好像在對(duì)我笑呢！觀世音菩薩手托瓶，并擺出蘭花指的姿勢(shì)默念咒語(yǔ)保佑人民平安。出了瑯琊寺我心想：我許的愿望會(huì)不會(huì)成為現(xiàn)實(shí)呢？努力吧！我們一路前雖然很陡很悶，但我和姐姐還是堅(jiān)持了下來(lái)努力地爬到南天門。我們站在寶塔上向下俯視整個(gè)滁州市盡收眼底，一棟棟樓房、高塔……

　　時(shí)間總是那么短暫，還有許多地方?jīng)]瀏覽，我們依依不舍的離開(kāi)了瑯琊山，真希望還能再來(lái)這美麗的森林公園！

滁州瑯琊山英文導(dǎo)游詞 篇8

　　大家能夠看到這座亭子共有16根立柱分立四方，亭兩邊設(shè)有茶幾，這是歐陽(yáng)修在亭中處理政務(wù)，并且與賓客把酒言談，吟詩(shī)作賦之用，16立柱的構(gòu)造和亭中所設(shè)的茶幾在其他的亭中是不可多見(jiàn)的，當(dāng)年歐陽(yáng)修被以宰相呂夷簡(jiǎn)為首的保守勢(shì)力誣陷，貶謫滁州財(cái)、政事之余，常來(lái)瑯琊山，與寺僧智仙飲酒暢談，很是投機(jī)，智仙為使歐陽(yáng)修能常來(lái)山中飲酒，賞景暢談，故而建了此亭，《醉翁亭記》中也交代了這件事：作亭者誰(shuí)?山之僧智仙也。名之者誰(shuí)?太守自謂也。太守與客來(lái)飲于此，飲少輒醉，而年又最高，故自號(hào)曰醉翁也。醉翁之意不在酒，在乎山水之間也。山水之樂(lè)，得之心而寓之酒也。此刻我們來(lái)看下亭中的楹聯(lián)，這是由著名的書法家，歐陽(yáng)修的后人歐陽(yáng)中石書寫的，大家來(lái)讀一下：“飲既不多緣何能醉，年猶未邁奚自稱翁”意思是:“酒喝的并不多，怎樣就醉了呢!歐陽(yáng)修自己也在《醉翁亭記》中說(shuō)過(guò)”飲少輒醉“一般人認(rèn)為是，歐陽(yáng)修在政治上受打擊，情緒低落，所以借酒消愁愁更愁，也有一種說(shuō)法，歐陽(yáng)修在滁州情緒是很好的，歐陽(yáng)修在滁州寫詩(shī)近百首，其中有關(guān)飲酒，交友的資料可占一大半，所以酒是不可缺少的寄托和媒介。歐陽(yáng)修出于身體的原因，慣有消渴癥(糖尿病)，盡管酒逢知己千杯少

　　，“頹手其問(wèn)”，年齡不到老邁的程度，為什么稱自己為老頭呢?歐陽(yáng)修當(dāng)年只有38歲，正值年富力強(qiáng)的中年時(shí)期，他在《贈(zèng)沈遵》的詩(shī)句中就說(shuō)的很明白，“我年四十猶強(qiáng)力，字號(hào)醉翁聊戲客”這邊還有一幅當(dāng)?shù)貢�法家吳伯初書寫薛時(shí)雨的楹聯(lián)“翁昔醉飲時(shí)，想溪山入畫，禽鳥(niǎo)親人，一官遷謫何妨，把酒臨風(fēng)，指范希文素心可證;我來(lái)憑眺處，悵琴操無(wú)聲，梅魂不返，十畝籬萊重辟，捫碑剔蘚，幸蘇子瞻墨跡長(zhǎng)存�！睔W陽(yáng)修當(dāng)時(shí)在瑯琊山以山為友，比肩范仲淹的為感，表達(dá)“歐公”“不以物喜，不以己”的人生境界，我站在那里遠(yuǎn)眺，撫琴無(wú)聲，梅魂不返，重新修建，幸好當(dāng)年蘇軾寫下來(lái)《醉翁亭記》的書法供后人瞻仰。

滁州瑯琊山英文導(dǎo)游詞 篇9

　　瑯琊山是皖東第一名勝，為國(guó)家重點(diǎn)風(fēng)景名勝區(qū)、國(guó)家森林公園、國(guó)家AAAA級(jí)旅游區(qū)、國(guó)家重點(diǎn)文物保護(hù)單位，中國(guó)24大文化名山之一，中華百座名山之一，安徽省五大風(fēng)景區(qū)之一。風(fēng)景區(qū)內(nèi)丘壑林泉、寺宇、亭臺(tái)、古道、古關(guān)隘均以其蔚然深秀，清幽淡雅而得天獨(dú)厚。境內(nèi)大小山峰九九八十一座，層巒起伏，溝谷深邃，溪流潺湲，森林茂密。其高可眺、邃可隱、清可濯、幽可憩、芳可采、麗可詠的自然景觀，逐漸形成了中外游人向往的瑯琊山“八名”(名山、名寺、名亭、名泉、名文、名碑、名洞、名林)文化勝境。

　　瑯琊山景色淡雅俊秀，文化淵源久遠(yuǎn)。自唐宋以來(lái)李幼卿、韋應(yīng)物、歐陽(yáng)修、辛棄疾、王安石、梅堯臣、宋濂、文征明、曾鞏、薛時(shí)雨等歷代無(wú)數(shù)文豪墨客，達(dá)官顯貴為之開(kāi)發(fā)山川、建寺造亭、賦詩(shī)題詠，留下大量、卓越的文化遺產(chǎn)，擁有“名山、名寺、名亭、名泉、名文、名士”六名勝境。其中唐建瑯琊寺為皖東著名佛寺，也是全國(guó)重點(diǎn)寺觀之一，宋建醉翁亭因北宋大文豪歐陽(yáng)修所著《醉翁亭記》一文而聞名遐邇，被譽(yù)為“天下第一亭”。瑯琊山的由來(lái)有這樣一個(gè)故事。

　　一個(gè)四外云游的和尚到了滁州，見(jiàn)到西山風(fēng)景如畫，就在山上蓋了座叫“西山寺”的寺院。還收留了一個(gè)叫超然的小和尚，小和尚長(zhǎng)的古靈精怪的，但是卻很不開(kāi)竅。和尚教超然忘好了幾個(gè)月的經(jīng)，結(jié)果，連“阿彌陀佛”四個(gè)字都只記得兩個(gè)，而且其中還有一個(gè)字念走音了。念成了“摩陀”。老和尚一氣之下，就一個(gè)人下山云游四方去了。大半年后，老和尚聽(tīng)說(shuō)滁州蝗蟲成災(zāi)，心里犯愁了，擔(dān)心超然就回到了寺院，結(jié)果看到小超然長(zhǎng)的高大了，壯實(shí)了!一點(diǎn)也沒(méi)有受到蝗災(zāi)的影響!后來(lái)才知道原來(lái)小超然一直在煮石頭吃，煮出來(lái)的石頭黃得象杏子，軟得象芋子，甜得賽桃子。

　　第二天，老和尚說(shuō)：“超然呀，你念的‘摩陀經(jīng)’，是真經(jīng)，你成了佛啦。從今在后，我們都念‘摩陀經(jīng)’，這寺院也叫‘摩陀寺’吧�！�

　　從此后，摩陀寺的香火一天旺似一天，人們也就把西山改叫“摩陀山”了。光陰似水，日月如梭。一眨眼，到了西晉末年。那時(shí)山東有位瑯琊王，名字叫司馬睿。他被八王奪權(quán)鬧得性命難保。只好收拾打扮往南逃難。一路上，白天藏身荒廟，夜晚揀著小道一腳高一腳低地趕路。這一天，來(lái)到摩陀山下一個(gè)破草棚子里住下。沒(méi)想到因?yàn)檫B日的奔波勞累，瑯琊王心口疼病半夜里犯了，疼得他頭上身上冷汗直冒，臉色跟紙一樣黃，在棚子里翻身打滾直到天亮。碰巧，摩陀寺一個(gè)挑水和尚看見(jiàn)了，慌忙跑回山上。不一會(huì)就從山上端來(lái)了一碗香茶，讓瑯琊王喝下。

　　過(guò)了一時(shí)三刻，瑯琊王伸伸膀子挺挺腰，覺(jué)得心口也不疼了，身上也有勁了，一點(diǎn)病也沒(méi)有了。

　　瑯琊王對(duì)和尚說(shuō)：“多謝師傅救命之恩。我這心口疼病從小就有，犯起來(lái)沒(méi)有十天半月不見(jiàn)輕，藥草吃了不知多少，病卻越來(lái)越重。不知師傅用的是什么神藥有這樣的奇效?”

　　“出家人，行善為本。救人一命，勝造七級(jí)浮屠。施主不必多禮。適才的香茶乃是用本山石頭與各樣草藥煮成的，什么病都能去根�！薄霸趺矗�山上的石頭也能治病?”

　　和尚將寺院祖師摩陀大師煮石充饑的故事從頭到尾講了一遍，又說(shuō)：“現(xiàn)如今石頭雖不能煮熟充饑了，因?yàn)楫?dāng)年摩陀大師把煮石之水潑在這山前山后，這山上就長(zhǎng)滿了奇花異草。所以這花花草草、樹(shù)根石頭都能治病呢。但不知施主尊姓大名，聽(tīng)口音不是本地人，怎么流落在荒郊野外?”

　　瑯琊王哪敢說(shuō)出實(shí)話呢，就胡編了一套說(shuō)：“我姓劉，叫劉順。家住山東巨野縣。因?yàn)橐�到江南投親訪友，半路上短了盤纏錢，只好一路忍饑受寒。我想在這里找些活干干，等湊足了錢再去江南。”

　　和尚對(duì)瑯琊王說(shuō)：“放心，放心。施主只要不惜力氣，來(lái)到滁州你就不愁吃穿了。這地方有句話：‘滁州地養(yǎng)窮人，一條扁擔(dān)兩根繩’。你看這摩陀山上有柴，有草，有藥材，兔子、山雞滿山轉(zhuǎn)，是座寶山啊�！�

　　瑯琊王司馬睿往山上一看，果然有男男女女在砍柴剜藥打山棗，從綠樹(shù)中傳來(lái)一陣陣山歌聲。從此后，瑯琊王就裝成個(gè)打柴漢子住在山中，一邊集合四方兄弟，一邊在山中集糧屯兵，日夜操練。沒(méi)過(guò)多久，司馬睿帶領(lǐng)人馬浩浩蕩蕩打過(guò)長(zhǎng)江，在建業(yè)城建立了東晉王朝，司馬睿成了第一個(gè)東晉皇帝。有一天，東晉皇帝司馬睿帶領(lǐng)文武百官?gòu)慕�業(yè)來(lái)到滁州觀賞西山摩陀寺風(fēng)光。司馬睿想起當(dāng)年自己在這兒落難得救、屯兵聚糧的往事，便吩咐傳下圣旨：將山上寺院擴(kuò)建百間，改“摩陀寺”為“瑯琊寺”，改“摩陀山”為“瑯琊山”。他還命御醫(yī)住在瑯琊山搜集山中百草，編成《瑯琊草木篇》，廣傳天下，救四方百姓疾苦。

滁州瑯琊山英文導(dǎo)游詞 篇10

　　親愛(ài)的游客朋友們：大家好，歡迎你們來(lái)到國(guó)家重點(diǎn)風(fēng)景區(qū)—瑯琊山。我是這里的地接導(dǎo)游某某，當(dāng)然大家也可以叫我。。，首先我代表瑯琊山景區(qū)的全體工作人員歡迎你們的到來(lái),接下來(lái)我將帶領(lǐng)大家欣賞瑯琊的美、瑯琊的秀 大家知道瑯琊山因什么而出名嗎嗯,是的，其實(shí)瑯琊山因?yàn)楸彼螘r(shí)期大文學(xué)家歐陽(yáng)修寫的著作《醉翁亭記》而聞名天下的,在《醉翁亭記》中開(kāi)篇就贊美瑯琊山“林壑尤美，望之蔚然而深秀者，瑯琊也”在20__年瑯琊山被評(píng)為國(guó)家旅游局批準(zhǔn)為首批4A級(jí)旅游景區(qū)其主峰有大豐山、小豐山、花山、鳳凰山等其最高峰為花山海拔為331米，其他多為200至300米之間景區(qū)內(nèi)有50多處泉眼，泉水清冽甘甜，還有瑯琊溪、深秀湖、鳳凰湖等溪流湖泊湖光山色相映生輝此次游客朋友們的到來(lái)真是一種視覺(jué)的享受?

　　現(xiàn)在映入我們眼簾的就是瑯琊山南大門了，我們就從這里進(jìn)去吧現(xiàn)在我們便來(lái)到了瑯琊山的第一個(gè)景點(diǎn)了—瑯琊墨苑，它是種庭園建筑，展現(xiàn)在大家眼前的白墻黑瓦、飛檐翹角、亭臺(tái)軒廊、小橋假山等交錯(cuò)體現(xiàn)的是蘇州園林的風(fēng)格，自唐宋以來(lái)先后有歐陽(yáng)修、王安石、蘇軾、辛棄疾等眾多文人墨客都在此留下了大量的珍貴詩(shī)文，為了更好地展示這些瑯琊墨寶，因此景區(qū)的工作人員收集與整理了有關(guān)瑯琊山的試詩(shī)、名人書畫200多篇篆刻于此，因此此地取名為“瑯琊墨苑”大家看這些書法字畫如行云流水氣勢(shì)磅礴體現(xiàn)了作者對(duì)瑯琊山的深情厚愛(ài)? 現(xiàn)在我們大家沿這條山道向前走便來(lái)到了瑯琊山最著名的景點(diǎn)—醉翁亭，其實(shí)醉翁亭始建于北宋慶歷四年在當(dāng)時(shí)它只不過(guò)是一個(gè)普通給游人歇腳的小亭子，但因歐陽(yáng)修在此寫下了千古名篇《醉翁亭記》從此便名揚(yáng)天下，現(xiàn)在的醉翁亭占地約五千平方米，1956年被列為省級(jí)重點(diǎn)文物保護(hù)單位，大家看這個(gè)院門上“醉翁亭”三個(gè)字是清朝同治年間全椒人士書寫的，大家經(jīng)過(guò)天井向東走便來(lái)到亭邊就到了醉翁亭，這是種歇山式建筑風(fēng)格，飛檐翹角十六根立柱分立四方。

　　大家看周圍設(shè)置了木欄，這里便是當(dāng)年歐陽(yáng)修常與賓客飲酒賦詩(shī)的地方，游客朋友們可以站在這里來(lái)體會(huì)一下當(dāng)時(shí)大文學(xué)家的意境呢!?

　　現(xiàn)在我們便來(lái)到了“二賢堂”故名思議是紀(jì)念賢人而建的，二賢堂始建于北宋是當(dāng)?shù)氐腵百姓為了紀(jì)念2位滁州知府王禹某和歐陽(yáng)修而修建地，現(xiàn)在我們?cè)谶@里能看見(jiàn)宋明刻本的《醉翁亭記》的影印本及歐陽(yáng)修手跡的影印件，現(xiàn)在我們向西走便來(lái)到了“寶宋齋”，在這里我們可以看見(jiàn)歐陽(yáng)修的得意弟子蘇軾親筆所寫的《醉翁亭記》所雕刻的石碑，由于歐陽(yáng)修散文和蘇軾書法都是北宋時(shí)期最高水平的代表因此啊，后人便稱此碑為“兩絕碑”�，F(xiàn)在再往前走，大家看見(jiàn)泉水了吧，這就是聞名以久的讓泉，現(xiàn)在的讓泉周圍是用石塊砌成的方池，看-上方有康熙23年滁州知府王賜魁先生重題的“讓泉”碑刻，方池長(zhǎng)三尺左右深一尺左右，泉水先涌入方池在由方池流向北匯入玻璃沼。方池水溫常年變化不大一直保持在17至18攝氏度泉水中含有多種對(duì)人體有益的微量元素，甘甜清冽?

　　游客朋友們我們來(lái)到了歐陽(yáng)修紀(jì)念館，進(jìn)入內(nèi)堂，大家看見(jiàn)歐陽(yáng)修先生的塑像了嗎?這里還有30多幅全面介紹歐陽(yáng)修生平的壁畫，長(zhǎng)廊上鑲刻的都是宋代以來(lái)蘇軾、趙孟頫等大書法家寫的《醉翁亭記》都是令人嘆為觀止的手筆。現(xiàn)在我們沿瑯琊古道向前大約走400米就來(lái)到了瑯琊寺了，瑯琊寺原名寶應(yīng)寺。據(jù)說(shuō)，在修這座寺廟之前，主持修建這座此寺的滁州刺史李猶卿曾繪圖給唐代宗看，恰巧唐代宗頭天夜里夢(mèng)見(jiàn)一片山林深處有一座寺院其外形與規(guī)模與圖上所畫地甚為相似，十分高興，因此特賜名“寶應(yīng)寺”�！皩殤�(yīng)寺“歷經(jīng)滄桑幾經(jīng)興廢，現(xiàn)在游客朋友們看見(jiàn)的所有建筑大多數(shù)是清代30年重新修建地。

　　一九八四年正式以“瑯琊寺”命名的瑯琊寺景點(diǎn)有80多處現(xiàn)在可供觀賞的有大雄寶殿、藏經(jīng)閣、明月觀、念經(jīng)閣等游客朋友們現(xiàn)在映入我們眼簾的就是大雄寶殿了，它是瑯琊寺的主體建筑，位于寺廟中央。殿高14米，進(jìn)深15.3米外形古樸典雅，氣勢(shì)雄偉，殿內(nèi)有造型生動(dòng)釋迦牟尼和十八羅漢像，像身通體涂金，金光燦燦，神態(tài)畢現(xiàn)栩栩如生。現(xiàn)在我們向右走便來(lái)到了藏經(jīng)樓，它原名叫“藏經(jīng)閣”現(xiàn)今看見(jiàn)的藏經(jīng)樓是一九一九年重建的，門額上刻有“三藏玄樞”四個(gè)大字。據(jù)說(shuō)此樓曾藏有珍貴的貝葉經(jīng)一部，樓下為千尊玉佛堂，堂內(nèi)陳列著緬甸國(guó)贈(zèng)送的一千多尊玉佛。聽(tīng)著真想進(jìn)去看看不過(guò)現(xiàn)在已經(jīng)沒(méi)有了。

　　各位游客朋友們，今天的游覽將要結(jié)束了，我很高興大家非常支持配合我的工作，這短短的時(shí)光里希望成為你們游覽中永恒的記憶，希望下次還有機(jī)會(huì)為大家服務(wù)，祝愿大家在以后生活中天天開(kāi)心，順順利利，再見(jiàn)!